Martin Crampin
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Stained Glass


Selected Lectures


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Since moving to Aberystwyth to work at the Centre for Advanced Welsh and Celtic Studies in 1999, I have tried to integrate my research interests into my work as an artist. I am currently consolidating this approach through doctoral research at the Centre, drawing together the themes of my visual work with an exploration of medievalism in the visual culture of Wales in the nineteenth and earlier twentieth century. I have also been developing a specialism in the field of decorative ecclesiastical art, particularly on stained glass in Wales.

Towards the end of my undergraduate studies in 1995 I developed an interest in creating parallel narratives in multimedia and began my first experiments with creating digital images from scanned drawings. These interests were expressed through my use of mythological and historical medieval Welsh texts, in particular two stories from the Welsh collection of stories known as the Mabinogion.

After graduating in Interactive Arts from Newport School of Art and Design in 1995, I sought to develop a more thorough understanding of early medieval Wales through an MA in Celto-Roman Studies, under the direction of Miranda Aldhouse-Green and Ray Howell at the University of Wales College, Newport. While developing an interest in early medieval archaeology and new developments in landscape archaeology, my thesis was focussed on Welsh medieval narrative tradition, and its interactions with oral tradition, written literature, material culture and the landscape. One of the central concerns was the way in which the past is created through historical narratives.

Early medieval stone cross, and decorated tile.

Detail of one of the medieval crosses at Llantwit Major, Vale of Glamorgan; detail of a decorated tile by Ada Miller-Williams, c.1890–1910, St Davids, Pembrokeshire

Working on the Visual Culture of Wales Project at the Centre for Advanced Welsh and Celtic Studies provided an opportunity to develop some of these interests and explore new directions. Sections of the Visual Culture of Wales CD-ROMs examine the way in which visual traditions and motifs of the past have been revived and given new meanings, and consider the role of the past in shaping current and future identities. In particular, I researched the imaging of the medieval past and the revival of Celtic Christian styles of ornament, which were central elements of my visual practice.

Nineteenth century carved wooden figures and medieval stained glass.

Nineteenth-century figures by Boulton & Co. on the medieval rood screen at Llananno; fragments of medieval stained glass reset at Llanfair Kilgeddin, Monmouthshire.

The process of creating the CD-ROMs has also developed my understanding of the use of parallel and interacting approaches in the presentation of research. I took these ideas further once again while working on the visual culture of the Bible in Wales, writing and producing the DVD-ROM Imaging the Bible in Wales. As a large part of this current research included Gothic Revival artwork from churches, I developed my understanding of the reinvention of the medieval in nineteenth and twentieth-century Wales.

While working on Imaging the Bible in Wales, I became increasingly aware of the need and potential for studying stained glass, having accumulated a vast photographic archive of the medium in places of worship in Wales. I was then able to initiate the Stained Glass in Wales Project from 2009–11 at the Centre for Advanced Welsh and Celtic Studies in Aberystwyth. Drawing together the work undertaken on the Imaging the Bible in Wales Project with additional photography from my own archive, the new online Stained Glass in Wales Catalogue includes over 6,000 images of glass from the fourteenth century up to the present day. In June 2014 my history of stained glass from Welsh churches was published by Y Lolfa.


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